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Various

"Punch, or the London Charivari, Volume 1, September 12, 1841"

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AWFUL CASE OF SMASHING!--FRIGHTFUL NEGLIGENCE OF THE POLICE
Feargus O'Connor _passed his word_ last week at the London Tavern.
* * * * *

NEW SWIMMING APPARATUS.
At the late collision between the _Beacon_ brig and the _Topaz_ steamer,
one of the passengers, anticipating the sinking of both vessels, and being
strongly embued with the great principle of self-preservation, immediately
secured himself the assistance of _the anchor_! Did he conceive "Hope" to
have been unsexed, or that that attribute originally existed as a
"floating boy?"
* * * * *

SYNCRETIC LITERATURE.
"The Loves of Giles Scroggins and Molly Brown:" an Epic Poem.
London: CATNACH.

The great essentials necessary for the true conformation of the sublimest
effort of poetic genius, the construction of an "Epic Poem," are
numerically three; viz., a beginning, a middle, and an end. The incipient
characters necessary to the beginning, ripening in the middle, and, like
the drinkers of small beer and October leaves, falling in the end.
The poem being thus divided into its several stages, the judgment of the
writer should emulate that of the experienced Jehu, who so proportions
his work, that all and several of his required teams do their own share
and no more--fifteen miles (or lengths) to a first canto, and five to a
second, is as far from right as such a distribution of mile-stones would
be to the overworked prads.


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