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Various

"Punch, or the London Charivari, Volume 1, September 12, 1841"

But should PUNCH become prosy, his audience will
vanish.
To prevent those visitors to this exhibition, who do not profess an
intimacy with the objects herein collected for their amusement, from being
misled by the supposititious circumstance of the highest prize having
commanded the best picture, we beg to point to their attention the
following peculiarities (by no means recommendatory) in the work selected
by the most fortunate of the _jewel-hunters_; it is catalogued "The
Sleeping Beauty," by D. Maclise, R.A., and assuredly painted with the most
independent disdain for either law or reason. Never has been seen so
signal a failure in attempting to obtain repose by the introduction of so
many sleeping figures. The appointment of parts to form the general whole,
the first and last aim of every other painter, D. Maclise, R.A., has most
gallantly disregarded. If there be effect, it certainly is not in the
right place, or rather there is no concentration of effect; it possesses
the glare of a coloured print, and that too of a meretricious
sort--incidents there are, but no plot--less effect upon the animate than
the inanimate. The toilet-table takes precedence of the lady--the couch
before the sleeper--the shadow, in fact, before the substance; and as it
is a sure mark of a vulgar mind to dwell upon the trifles, and lose the
substantial--to scan the dress, and neglect the wearer, so we opine the
capabilities of D.


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