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Myer, Edmund

"The Renaissance of the Vocal Art"


There is a constant evolution in all things progressive, and this evolution
is felt very perceptibly to-day in the vocal world. Great principles, great
truths, are of slow growth, slow development. Times change, however, and we
change with them. While the changes may be slow and almost imperceptible to
the observer, they are sure, and finally become evident by the accumulation
of event after event.
The prevailing systems of the nineteenth century tried to develop voice by
direct local muscular effort. These systems have proved themselves
failures. The vocal world is looking for and demanding something better. We
may say that we are now on the eve of great events in the vocal art. When
the morn comes, and the light breaks, we may confidently expect that
awakening or reawakening which may properly be called The Renaissance of
the Vocal Art.
This is the age of physical culture in all its forms. There is a tendency
from the artificial habits of life, back, or rather one should say forward,
to Nature and Nature's laws. "Athletes appreciate the value of physical
training: brain-workers appreciate the value of mental training, of
thinking before acting, and if you would become either you must follow the
methods of both."
Many of our foremost educators in all branches of development, physical,
mental and musical, are now making a bold stand for natural methods of
education. However, all vocal training and development in the past, we are
glad to say, has not been on the wrong side of the question.


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