The first principle of artistic singing is the removal of all restraint.
This is a fundamental law of Nature and cannot be changed. Under the
influence of direct local muscular effort, the removal of all restraint is
impossible. Hence the coming school must be based upon free flexible
action. In this respect it will be much like the old Italian school, except
that it will be as far in advance of the old school in the science of voice
as the twentieth century is in advance of the eighteenth. It must also be
far in advance of the old school in the devices used to develop the
fundamental principles of voice.
In this age of progress and knowledge of laws and facts, the new school,
under the influence of Nature's laws and common sense, with the aid of
flexible movements and vitalized energy, must do as much for the
development of the singing voice in three or four years as the old school
was able to do in eight or ten. This is necessary, both because the singing
world demands it, and Nature and common sense teach us that it does not
take years and years of hard study and practice simply to develop the
voice. From a strictly musical standpoint, however, it does take years to
ripen a great singer, to make a great artist. Many voices are ruined
musically by years of hard, muscular practice. Hence we say the new school
must give the voice freedom, and remove all muscular restraint by or
through natural, common-sense, vitalized movements.
ARTICLE SIX.
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