When we lift and expand properly, we expand the
body as a whole, and not the chest alone, nor the diaphragm, nor the sides.
These all come into action and expand with proper movement; but there must
be no conscious thought of, nor conscious local effort of, any particular
part of the body. When we lift and expand properly the chest becomes
active, the diaphragm goes into a singing position, and every muscle of the
body is on the alert and ready to respond to the thought or desire of the
singer. Not only this; when we lift and expand properly, we influence
directly the form and adjustment of all the vocal muscles, and especially
the organ of sound itself. In this way the voice is actually and
artistically tuned for the production of correct tone, as is the violin in
the hands of the master before playing.
_Lift, expand, and let go_. This brings us to a consideration of the
third part of this expression, _let go_. This is in some respects the
most important of the three; for unless the singer knows how to let go
properly, absolute freedom or the removal of all restraint is impossible,
and the true conditions of tone are lacking. The _let go_ does not
mean relaxation, for there must be flexible firmness without rigidity. With
the beginner the tendency is to lift, expand, and harden or contract all
the muscles. This, of course, means restraint. The correct idea of _let
go_ may be studied and better understood by the following experiment or
illustration.
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