WHAT'S HOT
Prev | Current Page 40 | Next

Myer, Edmund

"The Renaissance of the Vocal Art"

All the studies given in this little work for the illustration
and study of the movements of our system should be sung on all keys as high
and as low as they can be used without effort and without strain.
It has been said that "the production of the human voice is the effect of a
muscular effort born of a mental cause." Therefore it is important to know
what to think and how to think it.
We say, put yourself and keep yourself constantly upon a level with the
tone, mentally, physically and emotionally. For the present we have to do
with the mental and physical only.
Stand in an easy, natural manner, the hands and arms hanging loosely by the
sides. You desire to sing the above exercise. Turn the palms of the hands
up in a free, flexible manner, and lift the hands up and out a little, not
high, not above the waist line. When moving the hands up and out, move the
body from the hips up and out in exactly the same manner and proportion.
The hands and arms must not move faster than the body; the body must move
rhythmically with the arms. This rhythmical movement of body and arms is
highly important. In moving, the sensation is as though the body were
lifted lightly and freely upon the palms of the hands. The hands say to the
body, "Follow us." In this way, _lift, expand, and let go_. Do not
raise the shoulders locally. The movement is from the hips up. The entire
body expands easily and freely by letting go all contraction of muscle. Do
not first lift, and after lifting expand, and then finally try to let go,
as is the habit of many; but lift, and when lifting expand, and when
lifting and expanding let go as directed.


Pages:
28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52