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Bennett, Arnold, 1867-1931

"English Prose A Series of Related Essays for the Discussion and Practice"

Wholly at ease
though you could be, for your own part, you find that your sympathies
will not let you. You see young gentlemen feeling whether their ties are
properly adjusted, looking vacantly round, and considering what they
shall do next. You see ladies sitting disconsolately, waiting for some
one to speak to them, and wishing they had the wherewith to occupy their
fingers. You see the hostess standing about the doorway, keeping a
factitious smile on her face, and racking her brain to find the
requisite nothings with which to greet her guests as they enter. You see
numberless traits of weariness and embarrassment; and, if you have any
fellow-feeling, these cannot fail to produce a feeling of discomfort.
The disorder is catching; and do what you will you cannot resist the
general infection. You struggle against it; you make spasmodic efforts
to be lively; but none of your sallies or your good stories do more than
raise a simper or a forced laugh: intellect and feeling are alike
asphyxiated. And when, at length, yielding to your disgust, you rush
away, how great is the relief when you get into the fresh air, and see
the stars! How you "Thank God, that's over!" and half resolve to avoid
all such boredom for the future!
What, now, is the secret of this perpetual miscarriage and
disappointment? Does not the fault lie with all these needless
adjuncts--these elaborate dressings, these set forms, these expensive
preparations, these many devices and arrangements that imply trouble and
raise expectation? Who that has lived thirty years in the world has not
discovered that Pleasure is coy; and must not be too directly pursued,
but must be caught unawares? An air from a street-piano, heard while at
work, will often gratify more than the choicest music played at a
concert by the most accomplished musicians.


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