FOOTNOTES:
[Footnote 70: From "Modern Painters," Vol. I, 1843, Pt. II, Sec. VI
Chapter I.]
B. WATER[71]
Of all inorganic substances, acting in their own proper nature, and
without assistance or combination, water is the most wonderful. If we
think of it as the source of all the changefulness and beauty which we
have seen in clouds; then as the instrument by which the earth we have
contemplated was modelled into symmetry, and its crags chiselled into
grace; then as, in the form of snow, it robes the mountains it has made,
with that transcendent light which we could not have conceived if we had
not seen; then as it exists in the foam of the torrent, in the iris
which spans it, in the morning mist which rises from it, in the deep
crystalline pools which mirror its hanging shore, in the broad lake and
glancing river; finally, in that which is to all human minds the best
emblem of unwearied, unconquerable power, the wild, various, fantastic,
tameless unity of the sea; what shall we compare to this mighty, this
universal element, for glory and for beauty? or how shall we follow its
eternal changefulness of feeling? It is like trying to paint a soul.
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