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Bennett, Arnold, 1867-1931

"English Prose A Series of Related Essays for the Discussion and Practice"

Periodically he could drop the dramatist and
assume the preacher; and thus ensure that his play should be, what we
have seen was its recognised ideal, not merely a representation but an
interpretation of life.
But this without ceasing to be a work of art. In attempting to analyse
in abstract terms the general character of the Greek tragedy we have
necessarily thrown into the shade what after all was its primary and
most essential aspect; an aspect, however, of which a full appreciation
could only be attained not by a mere perusal of the test, but by what is
unfortunately for ever beyond our power, the witnessing of an actual
representation as it was given on the Greek stage. For from a purely
aesthetic point of view the Greek drama must be reckoned among the most
perfect of art forms.
Taking place in the open air, on the sunny slope of a hill, valley and
plain or islanded sea stretching away below to meet the blazing blue of
a cloudless sky, the moving pageant, thus from the first set in tune
with nature, brought to a focus of splendour the rays of every separate
art.


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