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Various

"The Best Short Stories of 1921 and the Yearbook of the American Short Story"


It was at the close of that winter that Shelby left us. Some there were
who said he was suffering from a broken heart. At any rate, he began to
free-lance; and the first of those fascinating romantic short stories
that he did so well appeared in one of the magazines. There was always a
poignant note in them. They dealt with lonely men who brooded in secret
on some unattainable woman of dreams. This sounds precious; but the
tales were saved from utter banality by a certain richness of style, a
flow and fervour that carried the reader on through twenty pages without
his knowing it. They struck a fresh note, they were filled with the fire
of youth, and the scenes were always laid in some far country, which
gave them, oddly enough, a greater reality. Shelby could pile on
adjectives as no other writer of his day, I always thought, and he could
weave a tapestry, or create an embroidery of words that was almost
magical.
He made a good deal of money, I believe, during those first few months
after he went away from Herald Square. Apparently he had no friends,
and, as I have said, invariably he seemed to dine alone at Mouqin's, at
a corner table. Afterwards, he would go around to the Cafe Martin, then
in its glory, where Fifth Avenue and Broadway meet, for his coffee and a
golden liqueur and a cigarette.


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