Dance, the, 99,
the, favorite musical form, 157.
Dante, 77.
Damrosch, Dr. Leopold, 166.
De Profundus, 151.
Diabelli, 157, 167, 187.
Dietrichstein, Count, 172.
Dignity, of the artist, 2.
Don Giovanni, 9, 48, 139, 140.
Doenhoff, Graf von, 94.
Egmont music, 92, 106, 142, 156, 226, 229.
Eighth Symphony, 95, 98, 100, 106, 145,
Dance element in, 99.
Eisfeld, Theo, 166.
Elector of Cologne, 4, 5, 13, 24,
his Orchestra, 15, 16, 18, 82.
Eliot, George, 134.
Elysian Fields, 193.
Emerson, 77, 145, 147, 148, 228.
England, 103, 106, 107.
Erdoedy, Countess, 60, 61.
Erlkoenig, Beethoven's setting of, 142.
Eroica Symphony (see Third Symphony).
Ertmann, Baroness, 60, 61, 80, 128.
Esterhazy, Prince, 75-76,
Princess Marie, 76,
the Princes, 51.
Eucharist, 232.
Euryanthe, 159, 160.
Eustachian tubes, office of, 214.
Fate, struggle with, 163,
Relentless, 218,
Propitiated, 184,
and Destiny, 218.
Fates, the, 204, 220.
Fatherland, Poets of, 14.
Faust, 38, 156, 157, 162, 200.
Fichte (quoted), 219.
Fidelio, 11, 48, 98, 155,
libretto of, 49-50,
First production of, 54, 55,
revision of, 56, 74, 75, 98, 106, 123, 155, 159,
dedication of piano score, 107,
its Spanish background, 49.
Pages:
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356