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Lady, An English

"A Residence in France During the Years 1792, 1793, 1794 and 1795, Complete Described in a Series of Letters from an English Lady: with General and Incidental Remarks on the French Character and Manners"

] which contains a
compliment to the Convention, was hissed pretty generally, while those
expressing an abhorrence of Jacobinism were sung with enthusiasm. But
the sincerity of these musical politics is not always to be relied on: a
popular air is caught and echoed with avidity; and whether the words be
_"Peuple Francais, peuple de Freres,"_ ["Brethren."]--or _"Dansons la
Guillotine,"_ the expression with which it is sung is not very different.
How often have the theatres resounded with _"Dieu de clemence et de
justice."_ ["God of mercy and justice."] and _"Liberte, Liberte,
cherie!"_ ["Liberty, beloved Liberty!"] while the instrument of death was
in a state of unceasing activity--and when the auditors, who joined in
these invocations to Liberty, returned to their homes trembling, lest
they should be arrested in the street, or find a mandate or guard at
their own houses.*
* An acquaintance of mine told me, that he was one evening in
company at Dijon, where, after singing hymns to liberty in the most
energetic style, all the party were arrested, and betook themselves
as tranquilly to prison, as though the name of liberty had been
unknown to them. The municipality of Dijon commonly issued their
writs of arrest in this form--"Such and such a person shall be
arrested, and his wife, if he has one!"
--At present, however, the Parisians really sing the _Reveil_ from
principle, and I doubt if even a new and more agreeable air in the
Jacobin interest would be able to supplant it.


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