There is likewise a common stock of
images, a settled mode of arrangement, and a beaten track of transition,
which all authors suppose themselves at liberty to use, and which
produce the resemblance generally observable among contemporaries. So
that in books which best deserve the name of originals, there is little
new beyond the disposition of materials already provided; the same ideas
and combinations of ideas have been long in the possession of other
hands; and, by restoring to every man his own, as the Romans must have
returned to their cots from the possession of the world, so the most
inventive and fertile genius would reduce his folios to a few pages. Yet
the author who imitates his predecessors only by furnishing himself with
thoughts and elegancies out of the same general magazine of literature,
can with little more propriety be reproached as a plagiary, than the
architect can be censured as a mean copier of Angelo or Wren, because he
digs his marble from the same quarry, squares his stones by the same
art, and unites them in the columns of the same orders.
Many subjects fall under the consideration of an author, which, being
limited by nature, can admit only of slight and accidental diversities.
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