Nothing is more evident than that of every real, and
by consequence of every dramatick action, the intervals may be more or
fewer than five; and indeed the rule is upon the English stage every day
broken in effect, without any other mischief than that which arises from
an absurd endeavour to observe it in appearance. Whenever the scene is
shifted the act ceases, since some time is necessarily supposed to
elapse while the personages of the drama change their place.
With no greater right to our obedience have the criticks confined the
dramatick action to a certain number of hours. Probability requires that
the time of action should approach somewhat nearly to that of
exhibition, and those plays will always be thought most happily
conducted which crowd the greatest, variety into the least space. But
since it will frequently happen that some delusion must be admitted, I
know not where the limits of imagination can be fixed. It is rarely
observed that minds, not prepossessed by mechanical criticism, feel any
offence from the extension of the intervals between the acts; nor can I
conceive it absurd or impossible, that he who can multiply three hours
into twelve or twenty-four, might imagine with equal ease a greater
number.
Pages:
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360