From this accidental peculiarity of the ancient writers the criticks
deduce the rules of lyrick poetry, which they have set free from all the
laws by which other compositions are confined, and allow to neglect the
niceties of transition, to start into remote digressions, and to wander
without restraint from one scene of imagery to another.
A writer of later times has, by the vivacity of his essays, reconciled
mankind to the same licentiousness in short dissertations; and he
therefore who wants skill to form a plan, or diligence to pursue it,
needs only entitle his performance an essay, to acquire the right of
heaping together the collections of half his life without order,
coherence, or propriety.
In writing, as in life, faults are endured without disgust when they are
associated with transcendent merit, and may be sometimes recommended to
weak judgments by the lustre which they obtain from their union with
excellence; but it is the business of those who presume to superintend
the taste or morals of mankind, to separate delusive combinations and
distinguish that which may be praised from that which can only be
excused. As vices never promote happiness, though, when overpowered by
more active and more numerous virtues, they cannot totally destroy it;
so confusion and irregularity produce no beauty, though they cannot
always obstruct the brightness of genius and learning.
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