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Moore, Aubertine Woodward, 1841-1929

"For Every Music Lover A Series of Practical Essays on Music"

The fire,
energy and breadth of his rendering, together with the splendid
musicianship displayed by this feat, deeply impressed the great
violinist Joachim, who was present, and who became enthusiastic in his
praise. Schumann, on making his acquaintance, proclaimed the advent of a
genius who wrote music in which the spirit of the age found its
consummation, and who, at the piano, unveiled wonders. By others he has
been called the greatest contrapuntist after Bach, the greatest
architectonist after Beethoven, the man of creative power who
assimilated the older forms and invested them with a new life entirely
his own. His piano works are a rich addition to the pianist's store, but
whoever would unveil their beautiful proportions, all aglow as they are
with sacred fire, must have taken a master's degree.
Two pupils of Liszt stand out prominently--Carl Tausig (1841-1871) and
Eugene D'Albert (1864- ----). The first was distinguished by his
extraordinary sense for style, and was thought to surpass his master in
absolute flawlessness of technique.


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