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Moore, Aubertine Woodward, 1841-1929

"For Every Music Lover A Series of Practical Essays on Music"


Greek poetry, in its matchless beauty, may still be enjoyed by all who
have powers of literary appreciation. Of Greek music we know little
beyond the theories which form the basis for modern musical science and
the fact that it was highly esteemed. Aristotle tells us that it was an
essential element in Greek stage plays and their greatest embellishment.
Both AEschylus and Sophocles were practical musicians and composed music
for their dramas. Euripides, less musician than poet, was at least
able to have the music for his works prepared under his direction.
Indeed, words, music and scenic effect were inseparably connected in the
Greek dramas.
[Illustration: CORELLI]
The enthusiasm these aroused is indicated by the fact that travelers
from distant lands undertook perilous journeys to attend the famous
performances at Athens, often remaining in their seats twenty-four hours
before the play began in order to secure desirable places. Fully fifty
thousand spectators could be accommodated in the Lenaean Theatre, whose
stage machinery would make ours seem like a toy model.


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