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Moore, Aubertine Woodward, 1841-1929

"For Every Music Lover A Series of Practical Essays on Music"

Many of its
theatrical exhibitions cost more than the Peloponnesian War.
In Greek life, at the period of its glory, music and the drama were
esteemed elevating factors in culture. The supreme things of human
existence were pictured in them. They expressed the world-view of an
entire people. Under Roman dominion, with its corrupting slavery, they
degenerated into mere sources of diversion, and finally became
associated with evil and degrading practices.
For this reason and because at best they represented pagan ideals,
theatrical representations were discouraged by the fathers of the
primitive Christian Church. The dramatic instinct was not condemned, and
its imperative needs were appealed to in the church service, which early
set forth in symbols all that was too mysterious and awe-inspiring for
words. In order further to reach the mind through the senses, scenes
from the Scriptures were read in the churches, illustrated with living
pictures and music. Gradually the characters personated began to speak
and to move.


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