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Moore, Aubertine Woodward, 1841-1929

"For Every Music Lover A Series of Practical Essays on Music"

He had for some time passed the half century
milestone of his life when he scored his greatest achievements in this
line, and with magic touch transformed existing materials into the
art-form we know to-day. His "Messiah," which alone would have sufficed
to immortalize him, was produced, in one of his herculean bursts of
power, within twenty-three days, when he was well-advanced in his
fifty-seventh year. It was first given to the public, in Dublin, April
13, 1742, seven months after its completion. The enthusiasm it awakened
was repeated when it was performed later in London. Here, indeed, the
audience became so transported that at the opening of the Hallelujah
chorus every one present, led by the king, rose and remained standing, a
custom we follow to-day.
Herder calls the "Messiah" a Christian epopee, in musical sounds. It is
certainly written in the large, grand style of a noble epic, for it had
large matters to express, and its composer regarded music as a means of
addressing heart and soul.


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