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Bennett, Arnold, 1867-1931

"Buried Alive: a Tale of These Days"

As a rule the lonely
fancies of middle-aged bachelors are scarcely less amenable to
definition. But the case of the inhabitant of the puce dressing-gown was
an exception to the rule. He knew, and he could have said, precisely
what he was thinking about. In that sad hour and place, his melancholy
thoughts were centred upon the resplendent, unique success in life of a
gifted and glorious being known to nations and newspapers as Priam
Farll.

_Riches and Renown_

In the days when the New Gallery was new, a picture, signed by the
unknown name of Priam Farll, was exhibited there, and aroused such
terrific interest that for several months no conversation among cultured
persons was regarded as complete without some reference to it. That the
artist was a very great painter indeed was admitted by every one; the
only question which cultured persons felt it their duty to settle was
whether he was the greatest painter that ever lived or merely the
greatest painter since Velasquez. Cultured persons might have continued
to discuss that nice point to the present hour, had it not leaked out
that the picture had been refused by the Royal Academy. The culture of
London then at once healed up its strife and combined to fall on the
Royal Academy as an institution which had no right to exist.


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