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Freeman, R. Austin (Richard Austin), 1862-1943

"The Vanishing Man"

And the pathos
of it all touched me deeply amidst the joy of this newborn intimacy.
"Are you scornful?" she asked, with a shade of disappointment, as I made
no reply.
"No, indeed I am not," I answered earnestly. "I want to make you aware
of my sympathy and my appreciation without offending you by seeming to
exaggerate, and I don't know how to express it."
"Oh, never mind about the expression, so long as you feel it. I thought
you would understand," and she gave me a smile that made me tingle to my
finger-tips.
We stood awhile gazing in silence at the mummy--for such, indeed, was
her friend Artemidorus. But not an ordinary mummy. Egyptian in form, it
was entirely Greek in feeling; and brightly coloured as it was, in
accordance with the racial love of colour, the tasteful refinement with
which the decoration of the case was treated made those around look
garish and barbaric. But the most striking feature was a charming panel
portrait which occupied the place of the usual mask. This painting was a
revelation to me.


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