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Ruskin, John, 1819-1900

"Being a Study of the Greek Myths of Cloud and Storm"

The special sense of this myth is marked by Pandareos
receiving the happy privilege of never being troubled with indigestion;
the dog, in general, however mythically represents all utter senseless
and carnal desires; mainly that of gluttony; and in the mythic sense of
Hades--that is to say, so far as it represents spiritual ruin in this
life, and not a literal hell--the dog Cerberus as its gatekeeper--with
this special marking of his character of sensual passion, that he fawns
on all those who descend, but rages against all who would return (the
Virgilian "facilis descendus" being a later recognition of this mythic
character of Hades); the last labor of Hercules is the dragging him up
to the light; and in some sort he represents the voracity or devouring
of Hades itself; and the mediaeval representation of the mouth of hell
perpetuates the same thought. Then, also, the power of evil passion
is partly associated with the red and scorching light of Sirius, as
opposed to the pure light of the sun: he is the dog-star of ruin; and
hence the continual Homeric dwelling upon him, and comparison of the
flame of anger to his swarthy light; only, in his scorching, it is
thirst, not hunger, over which he rules physically; so that the fable
of Icarius, his first master, corresponds, among the Greeks, to the
legend of the drunkenness of Noah.


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