Prev | Current Page 121 | Next

Ruskin, John, 1819-1900

"Being a Study of the Greek Myths of Cloud and Storm"



I cannot find anywhere an account of the first known occurrence of the
type; but, in the early ones on Attic coins, the wide round eyes are
clearly the principal things to be made manifest.
94. There is yet, however, another color of great importance in the
conception of Athena--the dark blue of her aegis. Just as the blue or
gray of her eyes was conceived more as light than color, so her aegis was
dark blue, because the Greeks thought of this tint more as shade than
color, and, while they used various materials in ornamentation,
lapislazuli, carbonate of copper, or, perhaps, smalt, with real enjoyment
of the blue tint, it was yet in their minds as distinctly representative
of darkness as scarlet was of light, and, therefore, anything dark,* but
especially the color of heavy thunder-cloud, was described by the same
term. The physical power of this darkness of the aegis, fringed with
lightning, is given quite simply when Jupiter himself uses it to
overshadow Ida and the Plain of Troy, and withdraws it at the prayer of
Ajax for light; and again when he grants it to be worn for a time by
Apollo, who is hidden by its cloud when he strikes down Patroclus; but
its spiritual power is chiefly expressed by a word signifying deeper
shadow,--the gloom of Erebus, or of our evening, which, when spoken of
the aegis, signifies, not merely the indignation of Athena, but the entire
hiding or withdrawal of her help, and beyond even this, her deadliest of
all hostility,--the darkness by which she herself deceives and beguiles
to final ruin those to whom she is wholly adverse; this contradiction of
her own glory being the uttermost judgment upon human falsehood.


Pages:
109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133