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Ruskin, John, 1819-1900

"Being a Study of the Greek Myths of Cloud and Storm"


It is they who tell you the deepest and usefullest truth, which involves
all others in time. Greek art, and all other art, is fine when it makes
a man's face as like a man's face as it can. Hold to that. All kinds of
nonsense are talked to you, nowadays, ingeniously and irrelevantly about
art. Therefore, for the most part of the day, shut your ears, and keep
your eyes open: and understand primarily, what you may, I fancy, easily
understand, that the greatest masters of all greatest schools--Phidias,
Donatello, Titian, Velasquez, or Sir Joshua Reynolds--all tried to make
human creatures as like human creatures as they could; and that anything
less like humanity than their work, is not so good as theirs.
Get that well driven into your heads; and don't let it out again, at your
peril.
163. Having got it well in, you may then further understand, safely,
that three is a great deal of secondary work in pots, and pans, and
floors, and carpets, and shawls, and architectural ornament, which ought
essentially, to be unlike reality, and to depend for its charm on quite
other qualities than imitative ones.


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