But all such art is inferior and
secondary--much of it more or less instinctive and animal, and a
civilized human creature can only learn those principles rightly, by
knowing those of great civilized art first--which is always the
representation, to the utmost of its power, of whatever it has got to
show--made to look as like the thing as possible. Go into the National
Gallery, and look at the foot of Correggio's Venus there. Correggio
made it as like a foot as he could, and you won't easily find anything
liker. Now, you will find on any Greek vase something meant for a foot,
or a hand, which is not at all like one. The Greek vase is a good thing
in its way, but Correggio's picture is the best work.
164. So, again, go into the Turner room of the National Gallery, and
look at Turner's drawing of "Ivy Bridge." You will find the water in it
is like real water, and the ducks in it are like real ducks. Then go
into the British Museum, and look for an Egyptian landscape, and you will
find the water in that constituted of blue zigzags, not at all like
water; and ducks in the middle of it made of blue lines, looking not in
the least as if they could stand stuffing with sage and onions.
Pages:
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220